Since 1999

Articles

Articles on Hindi Films

This is from a PhD dissertation in Hindi, submitted to a university from Jhansi in 1989.

Last set of heroines:

    Abhisarikaa

Chali gori piya se milan ko chali,
naina baanvariyaa man men saanvariyaan,
chali gori.

    Proshit-patikaa

Chhup gayaa koi re, door se pukaar ke,
dard anokhaa haay, de gayaa pyaar se.

    Aagamishyatpatikaa

Mori atariyaa pe kaagaa bole,
moraa jiyaraa dole, koi aa rahaa hai.

Now You Know!


New DS-379.

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Musing 495: Rafi 199. Madhu at 20.

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Musing 493: Rafi 197. Nine beauites

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Musing 481: Rafi 186.moolee and aam

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Musing 479: Rafi 184. raanaaiyaaN

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Musing 477: Rafi 182. phaphole

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Musing 475: Rafi 180. umariyaa

Musing 474: Rafi 179. Madhu at 12.

Musing 473: Rafi 178. solah shringaar

Musing 472: Rafi 177. Bipin Gupta debut

Musing 471: Rafi 176. kamasinee

Musing 470: Rafi 175. Raj Rani

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Music 468: Rafi 173. toomba-algoza

Musing 467: Rafi 172. ujiyaalee

Musing 466: Rafi 171. Abhay interviews Sayani

Musing 465: Rafi 170. joganiyaa

Musing 464: Rafi 169. Madhu 1946

Musing 463: rafi 168. jhoola

Musing 462: Rafi 167. Thoughts on British Bhangra

Musing 461: Rafi 166. sitaare zameeN

Musing 460: Rafi 165. Banarasi Thug.

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Musing 455: Rafi 160. gaNapati

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Musing 453: Rafi 158. sargam

Musing 452: Rafi 157. 16mm library

Musing 451: Rafi 156. gaDbaD ghoTaalaa

Musing 450: rafi 155. Early Bombay Cinemas

Mr. Mohammed Hussain Farooqui (1915-1990)

Sangeet Ka Ek Tanha Safar

Brief biography

Late Mr. Mohammed Farooqui was born on 17th August 1915 in the city of Jhunjhunu in Rajasthan in a religious family of mohalla peerzadgan. He got his basic education in the city under the guidance of his father Haji Muniruddin. During his childhood he displayed talent in singing.
Mohd. Farooqqui

In his youth Farooqui Sahib actively participated the music; he had been always attracted to the world of music. During his schooling he performed as a singer in varied stage programmes in Rajasthan. However, his religious Haji father was against such activities. When Mohammed Farooqui completed his education, his father had visions of his son becoming a teacher, but his destination was a film studio.

At last in 1945 Farooqui Sahib came to Bombay to try his luck in the Hindi Film industry as a singer with a reference letter for the famous music director Khemchand Prakash. The only person who knew him in Bombay was Mr. Azad Farooqui, with whom Farooqui Sahib stayed for some time in old Khar. After he had struggled for a year, Khemchand Prakash asked Mr. Farooqui to see him at his house. When Farooqui Sahib went there, the legendary singer K L Saigal was also present. Khemchand Prakash introduced him to Saigal who asked Mr. Farooqui to sing a song. He sang the famous lori by Saigal, 'soja raj kumari soja'. After hearing this Saigal Sahib was very impressed and remarked, ''There is something new in his voice''. This was enough for Mr. Farooqui to get a contract with Ranjeet Movietone on a monthly salary.

Farooqui2

After some time he got his first film as a co-singer, but Farooqui Sahib met with real success in 1947. It was a golden year for his music career. In this year his films 'Chheen le azadi', 'Duniyan ek sarai', 'Lakhon mein ek' and 'Pehli pehchan' were released. All of his songs were well-received. In particular, the song 'kamzoron ki naheen hai duniyan' from the film 'Chheen le azadi' was popular with the freedom fighters who soon achieved the goal of an independent nation.
Mohd Farooqui
Another song which endeared Farooqui Sahib to both the intellectuals and working class was 'ek musafir aye baba ek musafir jaye' from the film 'duniyan ek sarai'. In 1948 bhajans of the film 'Jai hanuman' and 'is khak ke putle ko' from the film 'Mitti ke khilone', were appreciated by the public. His last two films 'Bhool bhulaiyan 1949' and 'Alakh niranjan 1950' were also popular. Mr. Farooqui was among one of the singers who became successful without any formal musical training from a guru.

It was the end of the 1950. Farooqui's father became seriously ill and sent a message to him to come home immediately. After all his successful films, Farooqui Sahib had to leave Bombay and thereafter never went back to sing another song.

Rest of his life was spent as a mission to help the poor section of the society with the light of education.

On 8th February 1990 Mohammed Farooqui left for heavenly abode at the age of 75 years, leaving behind family and friends to grieve for the loss of a talented personalty.

After his passing away one of his friends paid tributes like this,

Khabar kya thee mohammed aap hamein tanha chhorh jayenge,
Dil-e-rahber ko ghamgeen aur purnam banayenge,
Ab na subaha ayegee is shaam ke baad,
Bas hum to sirf aapke geet gungunayenge

The name of Mohammed Farooqui will figure on the list of many underappreciated talents for their contribution to Hindi cinema.

Here is a photo of his residence

Residence

Here is a photo of one of his most popular records.

Song record

Filmography

Chheen le azadi (1947)
Duniyan ek sarai (1947)
Lakhon mein ek (1947)
Pehli pehchan (1947)
Piya ghar aja (1947) Acting only
Neel kamal (1947) Acting only
Bichhde balam (1948)
Jai hanuman (1948)
Mitti ke khilone (1948)
Pardesi mehman (1948)
Bhool bhulaiyan (1949)
Alakh niranjan (1950)

List of songs (Left click on the blue link to listen, right click to save)

1.  Chheen Le Aazadi (1947)~Kamzoron Ki Naheen (1 & 2)~Pt. Inder~Hansraj Behal~Mohd. Farooqui & M. Hussain Kamzoron_Ki_Lacharon_Ki_(Fast)
1a.                                            Kamzoron Ki Naheen (Slow)
2.  Duniya Ek Sarai (1947)~Ek Musaafir Aaye Baba~Kedar Sharma~Hansraj Behal~Mohd. Farooqui Ek Musafir Aye
3.  Duniya Ek Sarai (1947)~O Aai Baisakhi~Kedar Sharma~Hansraj Behal~Mohd. Farooqui & Saathi O Ayi Baisakhi
4.  Lakhon Mein Ek (1947)~Jeewan Hai Anmol~Pt. Inder~Bulo C. Rani & Hansraj Behal~Mohd. Farooqui & Hamida Bano jiivana-hai-anamola-panchhii   
5.  Pehli Pehchaan (1947)~Sahara Besaharon Ka~Pt. Inder~Bulo C. Rani & Hansraj Behal~Mohd. Farooqui & Saathi Sahara_Besaharon_Ka_Tum_Ho
6.  Pehli Pehchaan (1947)~Unhen Hum Dhoond Nikaalenge~Pt. Inder~Hansraj Behal~Mohd. Farooqui, AR Ojha, Mantri & Saathi
                                            Unhen Hum Dhoondh
7.  Bichhde Balam (1948)~Suhagan Kaahe Ko Too~Pt. Inder~Bulo C. Rani~Mohd. Farooqui Suhagan_Kahe_Ko_Tu_Aansoo_Bahaye   
8.  Bichhde Balam (1948)~Haseenon Ko Dil Mein~Pt. Inder~Bulo C. Rani~Mohd. Farooqui, AR Ojha & Meena Kumari
                                            Haseenon Ko Dil
9.  Jai Hanuman (1948)~Kahaan Site Kit Dhoondoon~Pt. Inder~Bulo C. Rani~Mohd. Farooqui Kit Dhoondhoon 
10. Jai Hanuman (1948)~Ab Ram Rajya Ki~Pt. Inder~Bulo C. Rani~Mohd. Farooqui Ab_Raam_Rajya_Ki_Aage_Suni_Kahani
11. Mitti Ke Khilaune (1948)~Iss Khaak Ke Putle Ko~BR Sharmar~Bulo C. Rani & Hansraj Behal~Mohd. Farooqui Is Khaq ke Putle
12. Pardesi Mehman (1948)~Ajab Hindustan Take Ser Bhaaji~pT. Inder~Hansraj Behal~Mohd. Farooqui Ajab_Hindustan_Ajab_Hindustan
13. Pardesi Mehman (1948)~Nigaahon Se TukRe Na Dil Keejiye Gaa~Indra~Hansraj Behal~ Faruki, A R Ojha and Saroj Gharapade Nigahon Se Tukde
14. Bhool Bhulaiyan (1949)~Chaahe Dil Ki Khidki~BR Sharmar~Bulo C. Rani~Mohd. Farooqui Chahe Dil Ki
15. Alakh Niranjan (1950)~Alakh Niranjan Jai Sat Guru~Manohar Khanna~Premnath~Mohd. Farooqui Alakh_Niranjan_Alakh_Niranjan

All of the above info and photos have been supplied by his son, Tasleem (email: This email address is being protected from spambots. You need JavaScript enabled to view it.)

Songs 1, 2, 3, 5, 7, 10, 12 and 15  have been supplied by Tasleem and
songs 4, 11, 13 and 14 come from the secret vault of Dr Manohar Lal Kapur
Songs 1a and 8 have been provided generously by M. Waheed Dehwar of Quetta. Song 6 is from G L Vishwakarma

Video clip from Neel Kamal (1947), he says, "tumhara koi jan pehchan wala hai" Please download and play with Media Player Classic, VLC media player or Windows Media Player Clip from Neel Kamal 1947 

 


Tasleem

Photo of Tasleem Farooqui, his son.